Orville Gibson applied lessons from violin construction first to mandolins and then to guitars. Solid wood tops carved to an arched shape without bracing that would inhibit vibrations was another innovation designed to produce greater volume. The Style O was an archtop guitar but still retained the round sound hole. It was also a larger guitar than the earlier Torres or Martin guitars, with a lower bout width growing from 16 inches to 18 inches in later models.
This is part of the series: Modern Guitar Innovation
Modern Guitar Innovations – 1902 – The Archtop Guitar
Articles in the "Modern Guitar Innovation" Series:
- Modern Guitar Innovations – 1850 – Torres
- Modern Guitar Innovations – 1850 – X-Bracing
- Modern Guitar Innovations – 1890 – Steel Strings
- Modern Guitar Innovations – 1900 – The 12-String Guitar
- Modern Guitar Innovations – 1902 – The Archtop Guitar
- Modern Guitar Innovations – 1916 – Dreadnought Guitar
- Modern Guitar Innovations – 1889 – Hawaiian Steel Guitar
- Modern Guitar Innovations – 1922 – F-hole Archtop Guitar
- Modern Guitar Innovations – 1927 – Tricone Resonator Guitar
- Modern Guitar Innovations – 1928 – Single Cone Biscuit Resonator Guitar
- Modern Guitar Innovations – 1929 – Single Cone Spider Resonator Guitar
- Modern Guitar Innovations – 1929 – 14 Frets
- Modern Guitar Innovations - 1934 - First Electric Guitar
- The Adjustable Truss Rod
- Selmer plus Maccaferri equals Gypsy Jazz Guitar
- Modern Guitar Innovations - 1937 - The Seven String Guitar

22-May-2013: Comping and Solo Guitar to Sweet Georgia Brown
14-Feb-2013: Guitar Spotting at the Grammys and Guitar Economics
27-Jan-2013: Archtop Guitar News, Winter 2013
14-Nov-2012: The Epiphone 1962 Collection includes Sheraton with Mini HB
24-Oct-2012: Baritone Ukulele Strings with Mixture of Stainless Flatwound and Plain Nylon
23-Oct-2012: C Tuning with Low G on Baritone, All Plain Strings
19-Oct-2012: Aquila Red Series Ukulele Strings – Low G
14-Oct-2012: My New Kala Tenor Ukulele
28-Sep-2012: Gibson ES-330 vs Epiphone Casino